Peter Paul Rubens/1620–1622

1620-1622

• 
  Christ with Young St. John and Angels
• 
  The vengeance of Tomyris

  label QS:Len,"The vengeance of Tomyris"

  label QS:Lpl,"Zemsta Tomyris"

  label QS:Lnl,"Koningin Tomyris laat het hoofd van Cyrus in een bak met bloed werpen"

  . 1620-1625. oil on canvas

  medium QS:P186,Q296955;P186,Q12321255,P518,Q861259

  . 263 × 199 cm (103.5 × 78.3 in). Paris, Louvre Museum.
• 
  The penitent Mary Magdalene

  label QS:Len,"The penitent Mary Magdalene"

  label QS:Lpl,"Pokutująca Maria Magdalena"

  label QS:Lnl,"De berouwvolle Maria Magdalena"

  . circa 1620

  date QS:P,+1620-00-00T00:00:00Z/9,P1480,Q5727902

  . oil on canvas

  medium QS:P186,Q296955;P186,Q12321255,P518,Q861259

  . 205 × 157 cm (80.7 × 61.8 in). Vienna, Kunsthistorisches Museum.
• 
  Workshop of Peter Paul Rubens.

  Joan of Arc

  . circa 1620

  date QS:P,+1620-00-00T00:00:00Z/9,P1480,Q5727902

  . oil on canvas

  medium QS:P186,Q296955;P186,Q12321255,P518,Q861259

  . 181.6 × 116.2 cm (71.4 × 45.7 in). Raleigh, North Carolina Museum of Art.
• 
  His wife and child

  label QS:Len,"His wife and child"

  label QS:Lpl,"Jego żona i dziecko"

  label QS:Lnl,"Zijn vrouw en kind"

  . drawing. Present whereabouts unknown.
• 
  Judith and her maidservant put Holofernes' head in a sack

  label QS:Len,"Judith and her maidservant put Holofernes' head in a sack"

  label QS:Lpl,"Judyta i jej służąca wkładająca głowę Holofernesa do worka"

  label QS:Lnl,"Judith met het hoofd van Holofernes"

  . 1620-1622. oil on canvas

  medium QS:P186,Q296955;P186,Q12321255,P518,Q861259

  . Florence, Uffizi Gallery.
• 
  Portrait of Charles de Longueval

  . 1621. oil on panel

  medium QS:P186,Q296955;P186,Q106857709,P518,Q861259

  . 62 × 50 cm (24.4 × 19.6 in). Saint Petersburg, Hermitage Museum.
• 
  Portrait of a woman, traditionnally identified as Suzanna Fourment

  label QS:Len,"Portrait of a woman, traditionnally identified as Suzanna Fourment"

  label QS:Lpl,"Portret kobiety, tradycyjnie identyfikowanej jako Zuzanna Fourmet"

  label QS:Lnl,"Portret van een vrouw, traditioneel geïdentificeerd als Suzanna Lunden-Fourment"

  . circa 1622

  date QS:P,+1622-00-00T00:00:00Z/9,P1480,Q5727902

  . oil on panel

  medium QS:P186,Q296955;P186,Q106857709,P518,Q861259

  . 79 × 54 cm (31.1 × 21.2 in). London, National Gallery .
• 
  Peter Paul Rubens (?).

  Two studies of a standing officer

  label QS:Len,"Two studies of a standing officer"

  label QS:Lpl,"Dwa studia stojącego oficera"

  label QS:Lnl,"Twee studies van een staande officier"

  . 1587-1640. pen and brown ink, brush and brown ink and black chalk on paper. 15.3 × 11.1 cm (6 × 4.3 in). Amsterdam, Rijksmuseum Amsterdam.

• 
  Perseus frees Andromeda

  label QS:Lfr,"Persée délivrant Andromède"

  label QS:Len,"Perseus frees Andromeda"

  label QS:Lpl,"Perseusz uwalniający Andromedę"

  label QS:Lnl,"Perseus bevrijdt Andromeda"

  . circa 1620

  date QS:P,+1620-00-00T00:00:00Z/9,P1480,Q5727902

  . oil on canvas

  medium QS:P186,Q296955;P186,Q12321255,P518,Q861259

  . 100 × 138.5 cm (39.3 × 54.5 in). Berlin, Gemäldegalerie.
• 
  Perseus and Andromeda

  label QS:Len,"Perseus and Andromeda"

  label QS:Lpl,"Perseusz i Andromeda"

  label QS:Lnl,"Perseus en Andromeda"

  . circa 1622

  date QS:P,+1622-00-00T00:00:00Z/9,P1480,Q5727902

  . Oil on panel transferred to canvas. 99.5 × 139 cm (39.1 × 54.7 in). Saint Petersburg, Hermitage Museum.
• 
  Workshop of Peter Paul Rubens.

  Jupiter and Mercury visiting Philemon and Baucis

  label QS:Lde,"Jupiter und Merkur bei Philemon und Baucis"

  label QS:Len,"Jupiter and Mercury visiting Philemon and Baucis"

  label QS:Lpl,"Jowisz z Merkurym odwiedzający Filemona i Baucis"

  label QS:Lnl,"Jupiter en Mercurius bij Philemon en Baucis"

  . circa 1620-1625. 153.5 × 187 cm (60.4 × 73.6 in). Vienna, Kunsthistorisches Museum.
• 
  Peter Paul Rubens and Jan Brueghel (I).

  Saint Hubert's vision

  label QS:Len,"Saint Hubert's vision"

  label QS:Lpl,"Wizja św. Huberta"

  label QS:Lnl,"Het visioen van de heilige Hubertus"

  . 1615-1630. oil on panel

  medium QS:P186,Q296955;P186,Q106857709,P518,Q861259

  . 63 × 100.5 cm (24.8 × 39.5 in). Madrid, Museo del Prado.
• 
  Peter Paul Rubens and Jan Brueghel (I).

  Diana and her nymphs surprised by satyrs

  label QS:Len,"Diana and her nymphs surprised by satyrs"

  label QS:Lpl,"Diana i jej nimfy zaskoczone przez satyrów"

  label QS:Lnl,"De slapende Diana en haar nimfen door saters bespied"

  . circa 1624-1624. oil on panel

  medium QS:P186,Q296955;P186,Q106857709,P518,Q861259

  . 61 × 98 cm (24 × 38.5 in). Paris, Musée de la Chasse et de la Nature.
• 
  After Peter Paul Rubens and Jan Brueghel (I).

  Diana and her nymphs surprised by satyrs

  label QS:Len,"Diana and her nymphs surprised by satyrs"

  label QS:Lpl,"Diana i jej nimfy zaskoczone przez satyrów"

  label QS:Lnl,"De slapende Diana en haar nimfen door saters bespied"

  . 1620-1699. oil on canvas

  medium QS:P186,Q296955;P186,Q12321255,P518,Q861259

  . 51 × 85 cm (20 × 33.4 in). Vienna, Kunsthistorisches Museum.

Portrait of Lorenzo de' Medici

• 
  Portrait of Lorenzo de' Medici

  . 1620-1630. Red chalk, pen and brush in dark brown, wash on paper. 13 × 11.9 cm (5.1 × 4.6 in). Wrocław, Ossolineum.
• 
  Lucas Vorsterman (I) (After Peter Paul Rubens).

  Portrait of Lorenzo de' Medici

  . 1620-1630. engraving. 17.4 × 11.9 cm (6.8 × 4.6 in). Various collections.

Design for three sculptures

• 
  Design for two sculptures, depicting Virtus and Honos

  label QS:Len,"Design for two sculptures, depicting Virtus and Honos"

  label QS:Lpl,"Projekt dwóch rzeźb przedstawiających Virtus i Honos"

  label QS:Lnl,"Ontwerp voor twee beelden, voorstellend Virtus en Honos"

  . circa 1620

  date QS:P,+1620-00-00T00:00:00Z/9,P1480,Q5727902

  (?). red chalk, pen and brown ink and wash on paper. 30.9 × 21.1 cm (12.1 × 8.3 in). Antwerp, Museum Plantin-Moretus.
• 
  Design for a sculpture, depicting Doctrina

  label QS:Len,"Design for a sculpture, depicting Doctrina"

  label QS:Lpl,"Projekt rzeźby przedstawiającej Doktrynę"

  label QS:Lnl,"Ontwerp voor een beeld, voorstellend Doctrina"

  . circa 1620

  date QS:P,+1620-00-00T00:00:00Z/9,P1480,Q5727902

  . red chalk, pen and brown ink and wash over black clay on paper. 30.4 × 20.2 cm (11.9 × 7.9 in). Antwerp, Museum Plantin-Moretus.

Portrait of Isabella Brant

Two-sided drawing

• 
  front:

  Portrait of Isabella Brant

  . circa 1621-1622. Black and red chalk, brown wash, heightened with white, on paper. 38.1 × 29.4 cm (15 × 11.5 in). London, British Museum.
• 
  reverse:

  Self-portrait with Helena Fourment and son

  label QS:Len,"Self-portrait with Helena Fourment and son"

  label QS:Lpl,"Autoportret z Heleną Fourment i synem"

  label QS:Lnl,"Zelfportret met Helena Fourment en zoon"

  . Black and red chalk on paper. 38.1 × 29.4 cm (15 × 11.5 in). London, British Museum.

Palazzi di Genova

• 
  Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).

  Palazzo Doria

  (3). 1622. engraving. 25.5 × 27.7 cm (10 × 10.9 in). Amsterdam, Rijksmuseum Amsterdam.
• 
  Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).

  Palazzo Cattaneo Adorno

  (30). 1622. engraving. 31.1 × 26 cm (12.2 × 10.2 in). Amsterdam, Rijksmuseum Amsterdam.
• 
  Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).

  Palazzo Campanella

  (33). 1622. engraving. 34.2 × 22 cm (13.4 × 8.6 in). Amsterdam, Rijksmuseum Amsterdam.
• 
  Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).

  Palazzo Pallavicino

  (36). 1622. engraving. 35.4 × 30 cm (13.9 × 11.8 in). Amsterdam, Rijksmuseum Amsterdam.
• 
  Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).

  Palazzo Centurione Cambiaso

  (39). 1622. engraving. 40.4 × 31.2 cm (15.9 × 12.2 in). Amsterdam, Rijksmuseum Amsterdam.
• 
  Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).

  Palazzo Doria Spinola

  (42). 1622. engraving. 28.6 × 34.8 cm (11.2 × 13.7 in). Amsterdam, Rijksmuseum Amsterdam.
• 
  Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).

  Palazzo Spinola

  (48). 1622. engraving. 34.7 × 42.9 cm (13.6 × 16.8 in). Amsterdam, Rijksmuseum Amsterdam.
• 
  Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).

  Palazzo dell'Acquedotto De Ferrari Galliera

  (49). 1622. engraving. 32.2 × 35.6 cm (12.6 × 14 in). Amsterdam, Rijksmuseum Amsterdam.
• 
  Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).

  Palazzo di Negro

  (51). 1622. engraving. 35.2 × 38.1 cm (13.8 × 15 in). Amsterdam, Rijksmuseum Amsterdam.
• 
  Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).

  Palazzo della Rovere

  (57). 1622. engraving. 36.6 × 46.8 cm (14.4 × 18.4 in). Amsterdam, Rijksmuseum Amsterdam.
• 
  Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).

  Palazzo Patrone

  (94). 1622. engraving. 35.8 × 42.9 cm (14 × 16.8 in). Amsterdam, Rijksmuseum Amsterdam.

• 
  Facade of the

  label QS:Len,"Facade of the"

  label QS:Lpl,"Fasada"

  label QS:Lnl,"Façade van het"

  Palazzo Salvago

  . circa 1622

  date QS:P,+1622-00-00T00:00:00Z/9,P1480,Q5727902

  . engraving. 43.5 × 33.5 cm (17.1 × 13.1 in). From Peter Paul Rubens (1622) Palazzi di Genova, Aversa: Rubens, fig. 33.
• 
  Palazzo in Genua

  . circa 1622

  date QS:P,+1622-00-00T00:00:00Z/9,P1480,Q5727902

  . engraving. 43.5 × 33.5 cm (17.1 × 13.1 in). From Peter Paul Rubens (1622) Palazzi di Genova, Aversa: Rubens, fig. 57.

Constantine series

• 
  The triumph of Rome. The youthful Emperor Constantine honouring Rome

  label QS:Len,"The triumph of Rome. The youthful Emperor Constantine honouring Rome"

  label QS:Lpl,"Triumf Rzymu. Młody cesarz Konstatntyn honorujący Rzym"

  label QS:Lnl,"De triomf van Rome. De jonge keizer Constantijn eert Rome"

  . circa 1622-1623. oil on panel

  medium QS:P186,Q296955;P186,Q106857709,P518,Q861259

  . 54 × 69 cm (21.2 × 27.1 in). The Hague, Royal Picture Gallery Mauritshuis.
• 
  The marriage of Constantine and Fausta and Constantia and Licinius

  label QS:Len,"The marriage of Constantine and Fausta and Constantia and Licinius"

  label QS:Lpl,"Ślub Konstantyna z Faustą oraz Konstancji z Licyniuszem"

  label QS:Lnl,"De huwelijken van Constantijn en Fausta en van Constantia en Licinius"

  , 293. 1622. oil on panel

  medium QS:P186,Q296955;P186,Q106857709,P518,Q861259

  . 47.3 × 64.4 cm (18.6 × 25.3 in). London, Christie's (11 December 1992).
• 
  The Emblem of Christ Appearing to Constantine

  . 1622. oil on panel

  medium QS:P186,Q296955;P186,Q106857709,P518,Q861259

  . 46.2 × 56 cm (18.1 × 22 in). Philadelphia, Philadelphia Museum of Art.
• 
  Constantine receives the standard with the monogram of Christ as the imperial sign (The Labarum)

  label QS:Len,"Constantine receives the standard with the monogram of Christ as the imperial sign (The Labarum)"

  label QS:Lpl,"Konstantyn otrzymuje sztandar z monogramem Chrystusa jako sztandar cesarstwa"

  label QS:Lnl,"Keizer Constantijn neemt het labarum, het vaandel met het Christusmonogram IHS, aan als de keizerlijke standaard"

  . 1622. oil on panel

  medium QS:P186,Q296955;P186,Q106857709,P518,Q861259

  . 35.3 × 27.5 cm (13.8 × 10.8 in). New York City, Sotheby's (12 January 1994).
• 
  Triumphant Entry of Constantine into Rome, 312

  label QS:Len,"Triumphant Entry of Constantine into Rome, 312"

  label QS:Lpl,"Triumfalny wjazd Konstantyna do Rzymu, 312"

  label QS:Lnl,"De triomfantelijk intocht van Constantijn in Rome, 312"

  . circa 1622

  date QS:P,+1622-00-00T00:00:00Z/9,P1480,Q5727902

  . oil on panel

  medium QS:P186,Q296955;P186,Q106857709,P518,Q861259

  . 48.6 × 64.5 cm (19.1 × 25.3 in). Indianapolis, Indianapolis Museum of Art.
• 
  Constantine Triumphans

  label QS:Len,"Constantine Triumphans"

  label QS:Lpl,"Konstantyn jako triumfator"

  label QS:Lnl,"Constantijn als triomfator"

  . 1622. oil on panel

  medium QS:P186,Q296955;P186,Q106857709,P518,Q861259

  . 38.1 × 29.1 cm (15 × 11.4 in). New York City, Sotheby's (30 January 1997).
• 
  The emperor Constantine venerates the True Cross

  label QS:Len,"The emperor Constantine venerates the True Cross"

  label QS:Lpl,"Cesarz Konstantyn oddaje cześć relikwiom Krzyża Świętego"

  label QS:Lnl,"Keizer Constantijn aanbidt het Ware Kruis"

  . 1622. oil on panel

  medium QS:P186,Q296955;P186,Q106857709,P518,Q861259

  . 35.4 × 33.7 cm (13.9 × 13.2 in). London, Christie's (11 December 1992).
• 
  The emperor Constantine founding Constantinople

  label QS:Len,"The emperor Constantine founding Constantinople"

  label QS:Lpl,"Cesarz Konstantyn zakłada Konstantynopol"

  label QS:Lnl,"Keizer Constantijn sticht Constantinopel"

  . 1622-1623. oil on panel

  medium QS:P186,Q296955;P186,Q106857709,P518,Q861259

  . 41.3 × 40.7 cm (16.2 × 16 in). Karlsruhe, Staatliche Kunsthalle Karlsruhe.
• 
  The Death of Constantine the Great

  label QS:Len,"The Death of Constantine the Great"

  label QS:Lpl,"Śmierć Konstantyna Wielkiego"

  label QS:Lnl,"De dood van keizer Constantijn de Grote"

  . 1622. oil on panel

  medium QS:P186,Q296955;P186,Q106857709,P518,Q861259

  . 34 × 33.5 cm (13.3 × 13.1 in). London, Christie's (7 December 2006).

• 
  Workshop of Philippe Maëcht and Hans Taye.

  The marriage of Constantine and Fausta and Constantia and Licinius

  label QS:Len,"The marriage of Constantine and Fausta and Constantia and Licinius"

  label QS:Lpl,"Ślub Konstantyna z Faustą oraz Konstancji z Licyniuszem"

  label QS:Lnl,"De huwelijken van Constantijn en Fausta en van Constantia en Licinius"

  , 293. 1622-1625. wool, silk, gold and silver. 485.1 × 608.3 cm (15.9 × 19.9 ft). Philadelphia, Philadelphia Museum of Art.
• 
  Workshop of Philippe Maëcht and Hans Taye.

  Tapestry showing Constantine Worshiping the True Cross, Indicated by Saint Helena

  . after 1622

  date QS:P,+1622-00-00T00:00:00Z/7,P1319,+1622-00-00T00:00:00Z/9

  . wool, silk, gold and silver. 495 × 503 cm (16.2 × 16.5 ft). Philadelphia, Philadelphia Museum of Art.
• 
  Workshop of Filippe Maëcht and Hans Taye.

  Tapestry showing the Triumph of Constantine over Maxentius at the Battle of the Milvian Bridge

  . 1623-1625. wool, silk, gold and silver. 495 × 745 cm (16.2 × 24.4 ft). Philadelphia, Philadelphia Museum of Art.
• 
  Workshop of Philippe Maëcht and Hans Taye.

  Tapestry showing Constantine's Triumphal Entry into Rome

  , 312. 1622-1625. wool, silk, gold and silver. 487 × 544.4 cm (15.9 × 17.8 ft). Philadelphia, Philadelphia Museum of Art.
• 
  Workshop of Filippe Maëcht and Hans Taye.

  Constantine Directing the Building of Constantinople

  , 330. 1623-1625. wool, silk, gold and silver. 484 × 480 cm (15.8 × 15.7 ft). Philadelphia, Philadelphia Museum of Art.
• 
  Workshop of Filippe Maëcht and Hans Taye.

  Tapestry showing the Baptism of Constantine

  . 1623-1625. wool, silk, gold and silver. 477.5 × 545.5 cm (15.6 × 17.8 ft). Philadelphia, Philadelphia Museum of Art.
• 
  Workshop of Filippe Maëcht and Hans Taye.

  Tapestry showing the Death of Constantine

  . 1623-1625. wool, silk, gold and silver. 489 × 498 cm (16 × 16.3 ft). Philadelphia, Philadelphia Museum of Art.