File:Church Interior -Italy- (1877) - Silva Porto (1850-1893) (49859987966).jpg
Original file (2,619 × 2,047 pixels, file size: 1.16 MB, MIME type: image/jpeg)
Captions
Summary
[edit]João Vaz: Church Interior (Mother Church of Viana do Alentejo) | |||||||||||||||||||||||||||
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Artist |
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Author |
Pedro Ribeiro Simões from Lisboa, Portugal |
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Title |
Church Interior (Mother Church of Viana do Alentejo) label QS:Len,"Church Interior (Mother Church of Viana do Alentejo)" |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | interior view | ||||||||||||||||||||||||||
Description |
Dr Anastácio Gonçalves Historic House, Lisbon, Portugal Material: Oil on canvas Collection: Portuguese State Inv.: CMAG 875 BIOGRAPHY [Silva Porto] António Carvalho da Silva (Porto, 11 de Novembro de 1850 - Lisboa, 1 de Junho de 1893) foi um pintor português que mais tarde adoptaria para apelido o nome da sua cidade natal, ficando conhecido por Silva Porto. Filho de António da Silva Carvalho Porto, latoeiro e cinzelador e de Margarida Carvalho da Silva Porto, bordadeira premiada pela Associação Industrial do Porto, e irmão de Adelina Branca Carvalho da Silva Porto, António nasceu na Rua da Ponte Nova, freguesia da Sé do Porto. Em 1865, aos 15 anos, matriculou-se na Academia Portuense de Belas Artes, instituição onde frequentou vários cursos, sempre com excelente aproveitamento (obteve dezoito valores a Escultura e Pintura Histórica e vinte a Arquitectura) e foi discípulo dos pintores João Correia e Tadeu de Almeida Furtado. Em 1869, participou na X Exposição Trienal da Academia Portuense de Belas Artes. Estagiou em Paris (1876-1877) e em Itália (1879). Em 1879 regressou a Portugal. Aureolado de prestígio, foi convidado para ensinar na Academia de Lisboa como mestre de Paisagem. Em 1880 realiza uma exposição de quadros paisagísticos inundados de luz, tendo D. Fernando adquirido o quadro Charneca de Belas. Fez parte do chamado Grupo do Leão, juntamente com António Ramalho, João Vaz, José Malhoa, Cesário Verde, Columbano e Rafael Bordalo Pinheiro. Entre outros galardões, recebeu a medalha de ouro da Exposição Industrial Portuguesa de 1884 e a primeira medalha do Grémio Artístico. A sua pintura, cheia de luz e cor, é sobretudo inspirada na própria Natureza. É tido como um dos fundadores do naturalismo em Portugal. Encontra-se largamente representado no Museu do Chiado, em Lisboa, e no Museu Nacional de Soares dos Reis no Porto. Existe uma rua em sua honra, com o seu nome, na freguesia de Paranhos, Porto e o Parque Silva Porto na freguesia de Benfica, Lisboa. Faleceu aos 42 anos, de tiflite, na Travessa da Estrela, número 10, R/C, freguesia da Encarnação, ocorrendo o funeral no Alto de São João. Era casado com Adelaide Torres Pereira (1863-1914), tendo deixado três filhos menores: António, Carlos e Maria. SOURCE: <a href="https://pt.wikipedia.org/wiki/António_da_Silva_Porto" rel="noreferrer nofollow">pt.wikipedia.org/wiki/António_da_Silva_Porto</a>
It includes about 3.000 works of art organized in three large themes: 19th- and 20th-century Portuguese paintings, Chinese porcelain and Portuguese and foreign furniture. There are also important specimens of civil and religious gold and silverware, European paintings, Portuguese sculpture, European ceramics, textiles, coins, medals, glass. as well as Swiss and French pocket watches. Besides, the House-museum holds a significant collection of documentation, drawings, watercolours and small artefacts belonging to the painter Silva Porto. The House-Museum Dr. Anastácio Gonçalves, built to the design of architect Norte Júnior in 1904-05, was commissioned by painter José Malhoa to be his house and studio. The capital’s first artist’s house, which was awarded the 1905 Valmor Prize in 1905, was included in the growth plan of the city of Lisbon. The “Malhoa House” was purchased in 1932 by Dr. Anastácio Gonçalves (1889-1965), who lived and organised his collection there until the year of his death. In 1969, on the collector’s own wish, the building is bequeathed to the State so as to house a Museum that would open to the public in 1980. The building went through expansion and refurbishment in 1996, according to a project by architects Frederico and Pedro George. A contiguous detached house, also by Norte Júnior, was annexed to the original building so that the space for the reception desk, shop, cafeteria and temporary exhibitions was expanded. The House-Museum Dr. Anastácio Gonçalves reopened in December 1997 with its present-day layout. Contents edited by DDCI. SOURCE: <a href="http://www.patrimoniocultural.gov.pt/en/museus-e-monumentos/rede-portuguesa/m/casa-museu-dr-anastacio-goncalves/" rel="noreferrer nofollow">www.patrimoniocultural.gov.pt/en/museus-e-monumentos/rede...</a> |
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Date | 31 March 2016, 15:29 | ||||||||||||||||||||||||||
Dimensions |
height: 41 cm (16.1 in) ; width: 33 cm (12.9 in) dimensions QS:P2048,+41U174728 dimensions QS:P2049,+33U174728 |
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Collection |
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References | http://www.matriznet.dgpc.pt/MatrizNet/Objectos/ObjectosConsultar.aspx?IdReg=244298 (Portuguese) | ||||||||||||||||||||||||||
Source/Photographer | Church Interior [Italy] (1877) - Silva Porto (1850-1893) |
Camera location | 38° 43′ 57.82″ N, 9° 08′ 47.49″ W | View this and other nearby images on: OpenStreetMap | 38.732728; -9.146525 |
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Licensing
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This image was originally posted to Flickr by pedrosimoes7 at https://flickr.com/photos/46944516@N00/49859987966. It was reviewed on 10 May 2020 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-2.0. |
10 May 2020
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 02:21, 10 May 2020 | 2,619 × 2,047 (1.16 MB) | Tm (talk | contribs) | Transferred from Flickr via #flickr2commons |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Leica Camera AG |
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Camera model | M9 Digital Camera |
Exposure time | 1/6 sec (0.16666666666667) |
ISO speed rating | 160 |
Lens focal length | 50 mm |
Pixel composition | Color Filter Array |
Software used | 1.174 |
Exposure Program | Manual |
Exif version | 2.2 |
Date and time of digitizing | 15:29, 31 March 2016 |
APEX shutter speed | 2.5 |
APEX exposure bias | 0 |
Maximum land aperture | 1 APEX (f/1.41) |
Metering mode | Center weighted average |
Light source | Unknown |
Flash | Flash did not fire |
File source | Digital still camera |
Scene type | A directly photographed image |
Exposure mode | Manual exposure |
White balance | Auto white balance |
Digital zoom ratio | 0 |
Focal length in 35 mm film | 50 mm |
Scene capture type | Standard |
Unique image ID | 00000000000000000000000000006dad |
Serial number of camera | 4232635 |